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They use historical, philosophical, psychological, and feminist methods to tackle such basic issues as: What goes on when viewers perceive a film? How do filmmakers exploit conventions? How do movies create illusions? How does a film arouse emotion?

ISBN 13: 9780299149444

Bordwell and Carroll have given space not only to distinguished film scholars but to non-film specialists as well, ensuring a wide variety of opinions and ideas on virtually every topic on the current agenda of film studies. Alliances can be made anywhere and between anything and transformation is immanent within such encounters.

Cleveland: World Co.. Film form: Essays in film theory, and The film sense. Cleveland: World Col..

Edited and translated by Jay Leyda. Fairservice, D. Film editing: History, theory, and practice : looking at the invisible. Geuens, J.

Post-theory : reconstructing film studies

Film production theory. Albany, N. Giddings, R. Screening the novel: The theory and practice of literary dramatization. Basingstoke: Macmillan. Grodal, T. Cognition, emotion, and visual fiction: Theory and typology of affective patterns and genres in film and television.

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Copenhagen: University of Copenhagen, Dept. Moving pictures: A new theory of film genres, feelings, and cognition. Hanson, E. Out takes: Essays on queer theory and film. Hietala, V. Situating the subject in film theory: Meaning and spectatorship in cinema. Hochman, J. Green cultural studies: Nature in film, novel, and theory. Moscow: University of Idaho Press. Hockings, P. Cinematographic theory and new dimensions in ethnographic film.


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Osaka: National Museum of Ethnology. Hockley, L. Cinematic projections: The analytical psychology of C.

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Post-Theory: Reconstructing Film Studies | David Bordwell, Noel Carroll | download

Jung and film theory. Luton: University of Luton Press. Jeancolas, J. L'auteur du film: Description d'un combat. Kaminsky, S. American film genres: Approaches to a critical theory of popular film. Dayton, Ohio: Pflaum.

Why Study Film?

Kaplan, E. Looking for the other: Feminism, film, and the imperial gaze. Kindem, G. Toward a semiotic theory of visual communication in the cinema: A reappraisal of semiotic theories from a cinematic perspective and a semiotic analysis of color signs and communication in the color films of Alfred Hitchcock. Kracauer, S. Theory of film: The redemption of physical reality. London: Oxford University Press.

Lapsley, R. Film theory: An introduction. Martin's Press. MacCabe, C. Manchester: Manchester University Press. Mast, G.


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